Prima Convention nazionale
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Martedi, 6 febbraio, Ore 18
Centro Culturale Svizzero,
Via Vecchio Politecnico 1/3, Milano
Inaugurazione della mostra sull'incisione
contemporanea L'ALTRO
Otto artiste della CISI - Compagnia Incisori della
Svizzera Italiana
INTERVENTO MUSICALE DI Esther
Flückiger
PROGETTO INCISORI l'altro
con la collaborazione di Esther Flückiger.
Durante l'inaugurazione
della mostra la pianista svizzera Esther Flückiger suonerà brani di Alexander
Scriabin, Alexander Tscherepnin, e composizioni appositamente creati da lei
stessa dal titolo la mano colorata:l'armonia dei sensi.
La riunificazione delle arti è
un'idea formulata fin dall'inizio del secolo passato e da anni
rappresenta il "Leitmotiv" della pianista. Quando suono il
pianoforte, dice, dipingo, dipingo suoni o disegno forme astratte, colorate,
bianco-nere o ritmiche, mi muovo nel buio o nella chiara luce con la
consapevolezza, il pensiero e l'obiettivo di creare tutta l'unità della
perfezione. Ne la mano colorata la musica diventa un'unità tridimensionale con
l'arte contrapposta. Un gioco tra musica e immagini: colore - luce –
forma/movimento. Un altro aspetto che accompagna questa unificazione è il gioco
della percezione sensoriale: udire - vedere - odorare - sentire - respirare -
odori - toccare. Per lei ogni tonalità ha un
carattere
cromatico e allo stesso modo reagisco alle immagini; diventano armonia
colorata. A questo si aggiunge la forma (movimento lineare-tema-ritmo- polso), che rappresenta il concreto del
suo modo creativo e del suo linguaggio musicale personale. La luce sono le
pause, il silenzio, il respiro, gli odori, i cambiamenti armonici e le modulazioni delle
tonalità maggiore e minore. L'obiettivo è che tutte le arti - ognuna arrivata a
una grande evoluzione - potessero trasmettere la sensazione di un impulso euforico unite in un'unica
opera. L'altro e la mano colorata sono un tentativo di questo sogno di
riunificazione con l'intento di avvicinarvisi il più possibile.
Composition
Competition for European Women Composers
Chard Festival of Women in
Music of the United Kingdom and The Musik Fabrik Association of France are
proud to announce a competition for European women composers in association
with their project"A New World of Music for Youth", funded by the
European Community's CONNECT programme. The competitionis open to all women
composers without age limitation who reside in the European Community and to
European Community Nationals who reside outside of the European community.
As our project
is geared towards underlining the contribution of European women in the field
of music for schools and young ensembles, suitability for use of the works in
this sort of setting will be an important criteria in the selection process.
The works should be from five to eight minutes in length and should be scored
for open instrumentation (i.e. parts playable by any sort of instrumental
combination of strings, winds and brass) and with chorus which may be performed
by either SATB or SSAA chorus. The level of difficulty should be from very easy
to moderate.If possible, the work should allow participation both by beginners
and more able players.The works must be previously unperformed and unpublished.
However, before submission, all works must be registered by the composer with
their local Performing Rights Organization (SACEM, GEMA, SIAS etc).
As the judging
will be completely anonymous, candidates are asked not to put their names or
any personal marks on the scores sent. Instead, the candidate should mark the
score with a non-specific combination of at least seven letters and numbers
which will then become their identification code. The scores, which can either
be in the form of a diskette in FINALE format (in any format up to Finale 2000)
or in manuscript form, should be placed in an envelope which should also be
marked with the composers identification code. The composer should then place
in a second envelope a sheet of paper with their name, address, telephone, fax,
and email if possible. This envelope, which will not be opened until the
winning works are chosen, should be sealed and also marked with the composers
identification code. These materials should be posted to Angela Willes, 3
Howards Row, Chard, Somerset, UK TA20 1 PH no later than February 1st, 2001 at
midnight (the postmark being the proof of having met the deadline). There is no
entry fee for this competition.
The committee of
judges will include Angela Willes and Richard Barrell of the Chard Festival of
Women in Music, Jean-Thierry Boisseau of Musik Fabrik and Eivire De Rudder. The
winning works will be announced via the internet at
http://ourworld.cs.com/chardfest and http://go.to/musikfabrik and also by post
to all candidates by February 21st 2001.
There will be
four winning works which will be selected from the works received. Each winning
work will be performed at one of the concerts which we are organizing in
Germany, France, Italy and the United Kingdom. The composer's travel costs and
expenses will be paid to attend the concert at which her work will be
performed. The works will be recorded and given special promotion through our
online database of works for schools written by women composers. If desired,
the works may also be published by Musik Fabrik Music Publishing, although this
is entirely the choice of the composer and not a condition of entry. Works
which are not selected for performance may also be considered for publication
and entry into the online database.
For further
information contact:
Richard Barrell, Festival
Archivist
Chard Festival of Women in
Music
3 Howards Row
Chard
SomersetTA20 1PH
Tel: 01460 66115
richard.barrel@eclipse.co.uk
Chard
Festival's website at http://ourworld.cs.com/chardfest