Dean Koontz - Pseudonyms

 

Part 1:

Introduction

Deanna Dwyer

Leonard Chris

Part 2:

K. R. Dwyer

Brian Coffey

Anthony North

Aaron Wolfe

John Hill

Part 3:

David Axton

Leigh Nichols

Owen West

Richard Paige

 

All the cover scans are courtesy of Stu Weaver. Visit his amazing website to know everything about American first editions of Koontz books. A must-visit for every collector.


K. R. Dwyer

 

After reading John D. Mac Donald, Koontz changed his field of action and moved toward the realm of suspense fiction, already showing his still buddying nature of cross-genre writer.

"I read 34 of his novels in 30 days," recalls Koontz, "and then all I wanted to be was a suspense writer." It was on this spur that he consequently adopted the pen name of K.R. Dwyer to publish his first hardcover, the suspense yarn Chase, for Random House.

 

Chase

New York - Random House - 1972


Even though it didn't make it in my top readings, this novel undoubtedly represents a turning point in Koontz's career, and he sees it as the one that virtually launched his future as a professional writer.

With Chase, he moved into the suspense genre and immediately proved his talent to a wide audience. We can't forget that the New York Times labelled it "taut, well-written", and the Saturday Review wrote: "This superb book is more than a novel of suspense. It is a brutally realistic portrait of the role of violence in our society". The San Francisco Examiner-Chronicle, moreover, thought that it was "thoroughly exciting, and the style is firm and excellent."

This is one of the earliest of what would become a torrent of novels about Vietnam veterans by a consistent group of writers (see Koko by Peter Straub). Benjamin Chase is a war hero with haunting  memories, and even though he's been awarded a Congressional Medal of Honor he's refused to accept it. Vietnam left him with a hard drinking habit, a mental breakdown and the burden of guilt, so when he is confronted by a psychotic killer who sees him as his next target, he's not even believed by the police. That's why he has to resort to his aggressive nature, as his past comes back to challenge him. "When society is sick, the mad are sane - and persecution is a killer's game."

Chase has been reissued in the short story collection Strange Highways, of which you can find my personal review here.

 

Shattered

New York - Random House - 1973


 A straightforward tale of "run or die", in which the characters are driven in a cross-country chase from Philadelphia to San Francisco by a mysterious van. The book seems particularly strong because of the psychological exploration of the main character, Alex Doyle, as he compromises his principles in order to survive. Fast paced and breathtaking, this novel allowed Koontz to improve his skills in a sort of realistic writing, which he would need in his following works to give a solid basis even to his most far-fetched plots. Believable characters and detailed settings are a trademark of his production, and Koontz's ability to create them  probably started hatching in this period.

"Run...or die. He's got an axe."

 

Dragonfly

New York - Random House - 1975

 

This was the third of the three books published under the "K.R. Dwyer" alias, and it's a Cold War novel of international intrigue and conspiracy about an innocent man who has been turned into a walking time bomb, threatening to kill 100,000 people in four days.

The Hartford Times reviewed it in glowing terms: "In the taut style of The Manchurian Candidate and Seven Days in May...a sparkling novel deep with suspense, agony, and mystery. The characters are so finely drawn that they take form on the page."

 

 


Brian Coffey

 

Brian Coffey was the moniker Koontz made up for some of his earlier suspence novels. Under this pseudonym he also wrote an episode of the famous TV series CHIPS. Go to the Movies page for information about it.

 

Blood Risk

New York  -  Bobbs-Merrill  - 1973

 

This is the first of a three book series featuring Michael Tucker as the common lead character, an educated, gentlemanly, tough professional thief who only steals from other criminals.  In this story, Tucker and his cronies hijack a mafia cash shipment.

The whole series has been long out of print, but it may be in the author's intention to reissue them sooner or later, maybe in a single volume.

 

Surrounded

New York  -  Bobbs-Merrill  - 1974

 

Other than being the second of five novels published under the Coffey guise, this is the second of three novels featuring the same protagonist, Michael Tucker. In this case, he's out to steal from merchants who would be covered by an insurance company.

The Wall of Masks

New York  -  Bobbs-Merrill  - 1975


This is the third of five novels under the Coffey pseudonym and the third of three featuring the same lead character, Micheal Tucker.

The Face of Fear

New York  -  Bobbs-Merrill  - 1977


This was the fourth of five novels under the Coffey pen name and it was later reissued under Koontz's name in paperback. Among the most distinctive features of this book are the gripping, breathtaking rhythm and the vivid, claustrophobic setting. It is the story of two people trapped in a tall building while a vicious psychopath is on their heels.

It has been said that this is another significant novel in Koontz's production, as it gives a clear example of the author's imaginative plots, and it stands out as one of the first serial-killer novels that would be the luck of so many famous writers in the following years.

It has also been noted that some interesting similarities can be found between this book and Thomas Harris's well-known Red Dragon (1981) perhaps indicating common research sources. Different though they are, they were certainly novels that gave way to a new subgenre in in the fiction world.

 

In an interview with the Mystery Guild, to the question "What inspired you to write The Face of Fear?" he replied:
"Several things inspired me. One, I had to buy shoes. Two, I loved the idea of somebody being trapped in a forty story office tower alone at night with a sociopathic killer. This image had come to me when I was publishing with Atheneum, a publisher that was then housed in the Chanin Building in Manhattan. I left an editorial meeting one night after 6:30 when the building seemed deserted, and right then the story came to me."

 

And here's just a hint of the numerous positive comments on this novel:

From the West Coast Review of books: "This is a real breathtaker [that] should hold you glued to its pages till the wee small hours."

Edwin Corley, in his syndicated column: "The Face of Fear has the most harrowing chase sequences I've read in many a moon. The writing is tight, fast-moving and the story races toward a fear-drenched climax. More than mere entertainment."

From the Memphis Commercial Appeal: "One the most remarkable suspense novels of the year an engrossing and entertaining read."

 

You can find my personal review of this book here.

 

The Voice of the Night

New York  -  Doubleday  - 1980

 

Two best friends. One is shy, the other is outgoing. They are so different, yet they spend a lot of time together at school. When the aggressive, outgoing friend proves to be dominated by some sinister force, their friendship will plunge them both in a long, dark voyage toward terror. 

This was the last of the five novels published under the Coffey pseudonym, to which Koontz resorted when Lippincott refused to publish it with the byline of David Axton.

It is another pivotal work in the author's production, because it is the first in which he depicts young people with the same strength and insight that had been typical of his more mature characters. Examples of his undisputed talent in portraying the world from the peculiar point of view of a child, or a young teenager, can esily be found in such famous later novels as Lightning, Midnight, Hideaway, Mr. Murder and From the Corner of his Eye.

Another significant trait of this novel is also the revelation of a progressive language experimentation, which will hardly ever abandon Koontz in the years to come, allowing him to maintain a lean but hallucinatorily vivid prose while he creates complex storylines and wide scenarios with fewer words than one might expect.

When it was reissued in paperback under the author's real name, The Voice of the Night was a number-one New York Times bestseller.

 

 


Anthony North

 

This pseudonym was only used once, as the signature for the techno-thriller Strike Deep. The curious thing about this pen-name is that the publisher went so far as to create an entire false biography for the writer, in order to present Strike Deep as a major first novel by a new talent in suspense. The biographical lines on the jacket flap read: "Anthony North lived in Washington for years and is intimately acquainted with the workings of the Pentagon. He now lives in Jamaica with his wife and four children."

 

Strike Deep

New York  - Dial Press  - 1974

 

This was an early, if not the first, novel about computer terrorism by hackers, though the term "hackers" was not yet in use. Disaffected veterans of Vietnam, one of them the son of the Chairman of the Joint Chiefs of Staff, cooperate in a plot to steal the nation's most sensitive defense secrets and sell them to a foreign power. In the end, the lead finds himself incapable of treason and at odds with the other conspirators. The book is well-paced and involving. In considering the issue of computer security and the vulnerability of electronically stored information, Strike Deep was years ahead of its time - although much of the computer detail is now dated.

It doesn’t seem to be in Koontz's intention to revise this book, updating the technical details for reissuing.

 

 


Aaron Wolfe

 

This byline was only used once, for the science-fiction novel Invasion.

 

Invasion

Ontario  -  Laser Books  - 1975

 

The original title of this book, which was the last pure sci-fi novel that Koontz wrote, should have been Cold Terror. As previously said, it was reissued as Winter Moon in 1994, even though the revision was so thorough that Winter Moon is actually a different novel, only slightly based on the original.

 

In an interview for Publisher Weekly, Barry Malzberg, a writer and editor who had contracted to edit a series of "first" novels for Laser Books, gave his account of the genesis of Invasion. When a few would-be first novelists failed to give him anything worth printing, he turned to Dean asking him for "anything from your trunk". "I'd like you to do this, you'd be saving me a mess", he asked Koontz back then.

Malzberg goes on in the interview: "He said he had a week open and that he could do it, and he did it. I remember sitting with the manuscript and a pencil, intending to edit and copyedit as it went along. On page 176, I took out a comma. It was flawless, a sensational piece of work. He wrote that book in a week for $1500."

"He could have been a great science fiction writer," says Malzberg. "He quit at just the time when his work was veering into true darkness and originality."

 

As for the book, Invasion is considered a first-rate science fiction thriller, which is now out of print and lost except to the fortunate few who have retained or collected a copy. On a curious note, it later gained some notoriety because of rumors that it had been written by Stephen King.

 

 


John Hill

 

Another one-time pseudonym, John Hill was used for the novel The Long Sleep. Just to be accurate, you should be aware that the "John Hill" who wrote the novelization of the movie Heartbeeps was not Dean Koontz.

 

The Long Sleep

New York  - Popular Library  - 1975

 

The Long Sleep was written in 1972, but it is the expansion of a novella, Grayworld, written that same year and published in 1973 for the first time in the short-story collection Infinity Five, edited by Robert Hoskins and published by Lancer.

This novel certainly fits in the "occult mystery" subgenre, as far as the atmophere is concerned, even though there are some futuristic elements that brand it as another of the sci-fi works of Koontz's early career. Koontz might revise this book for eventual reissue under his own name.

 

About the plot:

He woke up in a metal cylinder, naked, and discovered that somehow, somewhere, his mind had been ravished, his memory erased, and his only clue to his identity was his name: Joel. But he was not alone. Around him the omnipresent computers typed out undecipherable messages while beeping mysterious signals. Was it a starship, a prison, a lab, or maybe a dream?

So he started looking for clues…and everything became clear. Embracing him was a beautiful woman. Reassuring him was a kindly, white-haired man who told him one lie after another. And pursuing him was a figure without a face who called himself the Sandman. Was Joel the only sane human in a world gone mad? Or was he a hopeless maniac living out hid fearful fantasies? Joel's long sleep was over - and his nightmare had just begun.