AGRIGENTO

ARCHAEOLOGICAL MUSEUM "San Nicola"

VIA Passeggiata Archeologica
TEL 0922 497235
MEANS OF CONVEYANCE 
Buses: 1 - 2 - 3
VISITING HOURS 
 Mon - Sun: 8 am -1 pm;
 Mon -Sat: 2 - 4 pm
TICKET: £ 8000
 photo to be added

 ROOMS
1) Antiche fonti e topografia
2) Ambiente pre-greco 
3) Collezioni vascolari
4) Scultura architettonica
5) Santuari dei vari tempi
6) Tempio di Zeus Olympios
7) Antico abitato
8) Epigrafia
9) Numismatica
10) Scultura greco-romana
11) Necropoli dei vari tempi
12) Preistoria nell'agrigentino
13) Preistoria nell'agrigentino 
14) Provincia di Agrigento
15) Gela
16) Topografia del nisseno
17) Provincia di Caltanissetta
18) Mostre temporanee
19) Museo di II scelta
20) Sala Conferenze
21) Biblioteca


Certainly in times not remote Agrigento classicity inspired the poet and Nobel prize Salvatore Quasimodo. A lyric titled "Temple of Zeus" finishes remembering the survivor giant of the ancient monument: "Here is the Telamon, a few steps from the Hades, laying in the Zeus'garden, and crumbling its stone with air-worm patience...".
Opened in 1967, the Museum settles in the earth of the monumental landscape almost in the center of the ancient town of Agrigento, with the wonderful Valley of Temples in its background.
Besides the natural beauties, where the Museum settles, the place was chosen because of two famous monuments: one is from Classical Age and it is known as Falaride's Oratory, the other one is from the Middle Age and it is San Nicola's church enclosed the Abbey.
In the greatest of 18 rooms we can observe the fascinating Telamon. The sculpture is the only complete of 38 enormous figures of Atlas in Jupiter's Temple that the architect thought to support the columns. The Telamon is composed with 26 tufaceous pieces and it stands m. 7,61 tall, the imposing masculine figure symbolizes the primitive strength of the nature imposed by Jupiter.
It is no wrong when we say that San Nicola Museum with its state, civic and diocesan collections about archaeological pieces, forms an organic set and has an enormous importance to understand the city and its territory.
This set is from Prehistoric Age II millennium B.C. to the First and Middle Age of Bronze to reach the Iron Age culture.
Among the uncountable wonders we must speak about a Greek-Roman sculpture the "Agrigento's Efebo", a virile, nude figure installed on its vertical axis, sculptured on clean surface. It is a Kouros from 480 B.C. and symbolizes the idealized Greek masculine handsome. The statue was found in Demetra's Temple and it stands cm. 100 tall.
Another important piece is a Greek marble trunk found in Jupiter's Temple. It is a very beautiful strong figure, belonging to an athletic figure having a fight with another one. We can think of a character of the Gigantomachy which, in Diodoro opinion, adorned an imprecisable part of the great Temple.
Very beautiful is the Prehistoric collection which represent a well done attempt to organize some angles about the Prehistoric collection in Agrigento. There are pieces of the Zubbia Cave in Palma di Montechiaro whose stratigraphy discovered, through its own culture, a rigorous cultures succesion, from rare Stentinello pieces (Neolithic) to Malpasso.
We can observe monochrome ceramics with a simple decoration incised lines and little circles, lithic manufacture objects, among them flint blades, a globular wood head and a great vase representing a human head.
Besides we can admire characteristic materials from the First and the Middle Age of Bronze, among them there are vases belonging to Castelluccio culture. They have various and beautiful forms, orned geometrically, their colors are brown with red bottom, we can say that they are the most beautiful things of Sicilian art of all times.
Noteworthy is Athena's head with helmet. It is a very interesting product of local manufacture, from about 490 B.C., an archaic antefix with a Gorgon head and a deposit (matrixes and oil-lamps) which was found in the Sanctuary of the chthonic divinity.
Now, we must say that we tried to give an idea of what San Nicola Museum is, but it is very hard.
We know that 2000 pages will not be enough to write what the Museum has and what it means to our story.

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