DOWN BEAT - Nov. '91, page 63
" ....one important sub-theme was the many free concerts in the
open-air piazzas, hilighting italian bands the best
being.......and the Wayne Shorterism and the John Scofieldism
of leader Francesco Santucci and guitarist Rocco Zifarelli...."
CHITARRE - Sept. 1996
Professione Chitarrista
AXE - Sept./Ott.
'97- Dominic Miller review
"...I know a great roman guitar player, in my opinion the very best
in Italy:
Rocco Zifarelli, I'd love to play with him..."
LA GAZZETTA DEL MEZZOGIORNO -
Sept. 19, 1998
A guitarist from Bari for
Ennio Morricone
AXE - Dec. 1998 page 12
Euro jazz: Rocco Zifarelli
LA GAZZETTA DEL MEZZOGIORNO -
June 30, 1999
Foggia, heart of Jazz
IL GIORNALE - Jan. 20, 1999 pag.
43
A scent of rock in Rocco's jazz
with Maestro G. Ferrio,
P. Garinei and orchestra of
"L'uomo che invento' la
televisione"1997 ____________________________________________________________
GUITAR CLUB - Feb. '99
Rocco Zifarelli - At the Court of
Jazz
FUSE MAGAZINE
MUSICBOOM-
n.
6 - Oct. '99
Other reviews:
LA REPUBBLICA gen. 20/ 1999
AUDIO REVIEW mar. '99
TIME OUT - Rome - n. 16 - apr. '99
CHITARRE - Mediterranean guitars -
giu. '99
STRUMENTI MUSICALI - "Chitarre e Bassi"
- dic. '99
BARISERA genn. 21-2000
IL BANDO of Casamassima - "Live from Sanremo..."
- 18 mar.2000
AXE - What do you need to play at the
Sanremo music festival? - apr. 2000
LA GAZZETTA DEL MEZZOGIORNO
Sept. 19, 1998-p.21
A guitarist from Bari for Ennio
Morricone
By Alberto Selvaggi
Director Ennio Morricone wanted Rocco again for "La leggenda del
pianista sull'Oceano"'s soundrack, the last movie by film director
Giuseppe Tornatore.( ...)"I proposed a variazione on the outline, using
an arpeggio sequence. The director incouraged me to play freely using a
typical slang roman expression: "Hey Rocco, throw yourself, but not from
the bridge!"
"My first collaboration with dir. Morricone" dates back to the recording
of the "Piovra 9"'s soundtrack. (...) I had recorded for Morricone a demo
with 54 different sounds from guitars and other string instruments, so
that he could choose and then write my melodic line. But sometimes he just
suggests a melodic phrase, letting me completely free to improvise, as
he told me once: "Play as you like, provided you don't whin!" referring
to a particular "whinning" reverb I use on and off, the only one he really
doesn't feel comfortable with".
AXE - Dec.1998
page 12
EUROJAZZ : Rocco Zifarelli
Rocco Zifarelli, he is from the south...and one can hear his roots in
his authentic love for melody and in the ethnic sounds and atmospheres
running through "Lyndon", his first CD as a leader. (Via Veneto Jazz).
"Here it is his first album...
(...) His guitar is a bow shooting high precision and very powerful
arrows...His tecnique is astonishing, his style is futuristic. Rocco masters
distorted sounds, whammy bar effects. In "Pacman", the opening tune,
Zifarelli ventures in unusual and original melodies and harmonies. Let
us turn on the volume then in order to appreciate delicate dynamics, the
variety of colours and hues, the richness of the arrangements.
(...) So many and so talented musicians collaborated in the CD: international
artists such as Paco Sery and Matthew Garrison, and italian beautiful
musicians such as Agostino Marangolo, Stefano Di Battista, Pippo Matino,
besides the string section of Rai Orchestra.(...) "I like risking"- states
Rocco- when I was playing in the TV Orchestra I used to bring the scores
of my arrangements with me in order to have the musicians' opinion and
suggestions. But I didn't dare to arrange the strings...It was Pino Iodice
who wonderfully did it, he is one of the few all-round musician
I know.
(...) don't let us get to know this CD with an unattentive and superficial
attitude: we're going to listen to one of the most appreciated and all-round
young Italian guitarists, one of the few young italian musicians well known
in Italy as well as abroad."
IL GIORNALE
- Jan. 20, 1999, p. 43
"A scent of rock in Rocco's jazz"
by Alfredo Saitto
Here's to you a musician who expresses himself best in an instrumental
repertoire, where one can find an explosive mix of tecnique, elegance and
jazz-rock. Rocco's virtuosism is never for its sake though, as
it is always functional to his personal sense of composition.
Rocco conceived "Lyndon" after a long professional and artistic experience,
so that's why he wanted all the musicians he grew up with to be by his
side, including the strings and winds of the Rai Orchestra and many
prestigious special guests. (...) a varied but consistent mega-production,
rich and elaborate but never over intellectual, where one can appreciate
Zifarelli's remarkable talent as a composer and as an arranger"
GUITAR CLUB - Feb.
'99
Rocco Zifarelli at the Court of
Jazz
by Maurizio De Paola
Versatile, manysided, Rocco Zifarelli stands as a representative of
a "no limits" sense of composition and expression, the one willing to explore
all the timbric and harmonic possibilities of his instrument. In the age
of hyper-specialization is it difficult indeed to find a musician
who humbly recognizes the importance of the orchestral professional experience,
which seldom allows creativity, but Rocco is surprisingly an exception...Zifarelli
is indeed a very peculiar artist, intolerant of any restriction when talking
about music, so curious and opened to perform his profession with the attitude
of a session man, as if music were nothing but a universal jam session
to which anyone is invited to partake. Rocco's remarkable capability to
move from a music situation to another, besides his extraordinary tecnique,
enable him to play with great italian and international jazz stars, as
well as with great composers and directors, such as Gianni Ferrio and Ennio
Morricone (...)
As one can see from the many and varied experiences he went through
, versatility is undoubtedly Rocco's main quality, together with a constant
research attitude which combines tecnology and jazz spirit. While listening
to Rocco's "Lyndon", one can feel how much Zifarelli loves the sublime
art of improvisation and the breaking of all rules (...).
LA GAZZETTA DEL MEZZOGIORNO
June 30, 1999
Foggia heart of jazz
by Anna Langone
A hot and mediterranean atmosphere, it is what the young barese musician
Rocco Zifarelli conveys in his music. Very much appreciated by Pat
Metheny, at only thirty-two Zifarelli has become one of the most versatile
musicians of the international jazz scene: he collaborates with great composers
such as Ennio and Andrea Morricone, he is a session man in the Rai Orchestra
and besides his virtuosity enables him to get great audiences to know jazz.
His first CD "Lyndon", performed live here in Foggia, stands as an example.
It may be a parochial point of view, but the friendly USA-Italy challenge
against the titled Artur Blythe 's trio was indeed won by Rocco Zifarelli,
who gained the non-amateurs enthusiasm when he ended his set with the typical
"rockstar jump".
FUSE
MAGAZINE
ROCCO ZIFARELLI ï Lyndon ï Via
Veneto Records (VVJ011)
by David Dorkin
An outstanding release form one of Italy and Europe's top talents, guitarist
Rocco Zifarelli. Rocco has been at the forefront of the fusion scene in
Rome, Italy for several years and it is easy to see why; impressive technique,
inventive and harmonically sophisticated lines, and beautiful arrangements
and compositions. The album's cast is also impressive: Stefano Di Battista,
a very strong alto and soprano saxophonist from Rome, drummer Paco Sery
of Sixun and Zawinul fame, and fine bassists Pippo Matino and Matt Garrison.
The tune "Difficult Collaboration" is inventive both harmonically and in
its use of sounds. It also contains fine group interplay. The cover of
Jaco's "Havona" is a powerful fusion-fest with fine solos from both Rocco
and Matt Garrison. Rocco also performs surprisingly well on the oud ("Preloud",
"Interloud") and his knowledge of musics of the Mediterranean and Middle
East informs his fusion throughout the album. This is an expansive album
that bears repeated listening and will please Tribal Tech fans as well
as fans of guitarists Bill Frisell or Ralph Towner. Recommended.
MUSIC
BOOM - no. 6/2nd year - Oct. 1999
Musica per il Villaggio Globale
-by Jack Frusciante
Rocco Zifarelli "Lyndon"
At last Rocco Zifarelli's first CD "Lyndon" issued, more
welcomed and acclaimed abroad than in Italy, as often happens with
italian jazz records. Immediatly after its publication, though, the CD
has recorded a widespread interest by important music magazines, such as
Guitar Club, which dedicated articles and interviews to the barese guitarist.
At the beginning of his artistic career Zifarelli was very much influenced
by the Methenian style, a necessary stage at that time but now completely
over. It is difficult indeed trying to define someone's style in the age
of cross-overs, as far as cross-overing is the rule that upsets all the
rules. Zifarelli's music is funky, fusion, jazz, rock, new age and ethnic,
as the CD and the prestigious and differently oriented featuring artists
show. Artists such as Stefano di Battista, Pippo Matino, Paco Sery, Agostino
Marangolo, Matthew Garrison, Javier Girotto, Maurizio Di Lazzaretti, all
contributed in the experimental and ever developing fusion of styles, in
order to create a new homogeneous and unitary synthesis.(...) Rocco plays
the mandoud in two songs of the album. The mandoud originates from
a traditional African string instrument, conceived by Rocco himself and
constructed for him by an italian handicraftsman. The rest of his instrumentation
is an handicraft solid body constructed for him in Italy. Jazz influence
is always there, lying in the improvisations, in the light and shade effects
of the alternating pianos and fortes, in the jazz phrasing of almost all
the musicians playing in the CD. I think that Rocco's sound is wonderful,
it is so aerial, a balanced mixture between Holdsworth sound and Strato
sound.
The drive of "Pacman", "Difficult collaboration" and "Sweet flame"
reveal a strong rock influence, whereas the enchanting arabesques
drawn by the mandoud on "Preloud" and "Interloud" evoke a north African
atmosphere.(...) The tune "Havona" is a beautiful tribute to Jaco Pastorious,
maybe one of the most important Zifarelli's and Matino music influences.
(...) "Lyndon" is a very beautiful fusion CD made in Italy as Zifarelli
avoids to follow the path of his American masters creating instead a thoroughly
original music.
Zifarelli's band ( made of some of the most talented musicians in Italy,
such as Dario Deidda, Giovanni Imparato and Maurizio De Lazzaretti), is
at the moment touring all over Italy. Let me tell you, the drive and the
impact are astonishing!
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