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Peter Buck's once-assertive guitars mostly have gone all liquidy or simply disappeared; a layered array of pianos, organs, string adornments and mechanically ticking synthesizers and beat boxes supersedes the old guitar-band approach to evoke twilight moods that are by turns unsettling and caressing.
New Musical Express
For all the promised adventuring, it's a strangely cautious record, Peter Buck oddly restrained, any sudden guitar flash sounding like he's surreptitiously crept up behind songs and wrestled them to the ground. It feels like an REM compendium, a virtual reality "Best Of" picking and mixing their past.... They play it bad, they play it sad, they play it again and again--hell, sometimes they even play just like a bunch of guys in a room. But after [all these] years, REM can still play with divine fire.