Reviews

From "Corriere della Sera"

[...] The pianist Paolo Wolfango Cremonte rushed towards the piano with determination of a future concert artist: his way of playing Chopin (Scherzo n^o 1 op. 20) was well-considered, compact, defined in sound, it speeds up the fevered part to let melody flourish expressively; his suggesting depth in playing Liszt (Studio Trascendentale n^o 8, "Wilde Jagd"), when apprehension was over, reached directly the audience. [...]

Franca Cella

From "Il Gazzettino" di Venezia

[...] Paolo Wolfango Cremonte takes the Third Sonata in B minor op. 58 back to the quiet limits of orthodoxy. The pianist aims at confirming persistence of classical forms in Chopin's music using great care. There isn't any pathetic spreading of cantabile, nor the visionary and uneven courses: everything is taken back to the origins of order using intellectual awareness.
Then there's the height of Bartók's cycle "Out of doors", in which Cremonte shows a particular acuteness in his interpretation, especially in the most impressive passage, in that "Music of the night", that's a gaze at the disturbing mistery of nature and the historical avant-garde protocol. [...]

Mario Messinis