REVIEWS
Painter Giovanni Repossi, who taught at the "Accademia di Brera"
for thirty nine years, observes "the extraordinary sensitivity
of the colour and the capacity of synthesis" which distinguish
the watercolours of Raffaella Nitto, defining them as an "element
of a very intriguing poetic interior and pictorial expression."
Fausto Lorenzi, art critic of "Giornale di Brescia" writes with
appreciation of Nitto's saturated pigments, creating "humorous
and dazzling spaces loaded with a sensual adherence to Nature's
fluid energies on paper."
Mauro Corradini, art critic of "Bresciaoggi" observes in Nitto's
paintings that "Nature appears as a stimulus for the expansion
of a sensitivity that lives on the permeation of intense colours."
Painter Oscar di Prata claims that Raffaella Nitto draws "expressive
intensity from a careful and penetrating survey of the real world
while also studying the unknown."
WRITTEN ABOUT RAFFAELLA NITTO
ITALY: Arte in Cortina, Cortina Magazine, Cortina Oggi, Cortina
Vacanze Oggi, Il notiziario di Cortina, Corriere delle Alpi, Quadri
e Sculture, Stile, Il Giorno, Giornale di Brescia, Bresciaoggi,
BresciaSet, Dentro Brescia, Quaderno della musica, Brescia club,
Giornale della Valcamonica, Riza Psicosomatica, L'Eco di Bergamo,
Il cittadino della domenica, Il Porto, Corriere Adriatico, Il
Resto del Carlino, Il Centro Marche, Il Messaggero, Rassegna Artistico
Letteraria Aslai, Trentino Mese, Alto Adige, L'Adige.
NORWAY: Dagens Naeringsliv, Fremtiden, Drammens Tidende &
Buskerud Blad, Royken & Hurum Avis.